I am the older sister by two years and nine months. I think we’re about as different as two siblings can be, and yet people who know both of us will tell me that my brother Tyler and I definitely share some characteristics. And yet, despite prompting, those same people will not be able to describe exactly what it is that links the two of us.
Sometimes I feel as if he and I are being tugged by the same cable hooked to our belt loops. The cable that is twisted tightly into tough, sea-faring rope, able to withstand the elements and all manner of physical stress. That cable stretches all the way back into our shared history. We are both nostalgic creatures, even though we show it in different ways.
So I am here in Houston, Texas, visiting him and his wife and their baby, Julia. She is a sweetie pie with a fresh, sweet face. I first met her two nights ago, after my flight got in from California. She was already in her crib - so our meeting was a few hours later, when her cries pierced the air and a very tired Brandy made her way upstairs. I stood at the door to the guest room, waved, and whispered, “Hi! I wanna meet her!” So we made our way into the nursery, and Brandy turned on the lamp and picked up the baby, who was blinking in the light.
“It’s so good to meet you!” I whispered and I smiled at her. She looked a little wary, and then Brandy fed her and snuggled her back to bed, and I went back to the guest room to deal with my West Coast timezoned head.
It took about a day, but Julia has really warmed up to me, and just likes to look at me a lot. When I catch her eye, she immediately smiles. She does this thing when she is sitting up on the floor: she kinda shimmies back and forth on her butt, and waves both hands really fast, when she is really happy. My little brother used to do the same exact thing when he was a baby. It’s funny to see it again.
In the guest room, there are multiple racks filled with tubes of commemorative quarters. My brother is a casual coin collector, only heightened by the fact that he works for a bank. Propped on top of one of two old wooden dressers is a painting my grandmother made of her home in Hamilton, IL. The house has long been sold and renovated by some other family, and Gma herself has been gone for 6 or 7 years now, but the painting reminds me of so many things about myself, and about the Wells side of the family, all-American and yet with its own weird quirks and indulgences and denial and fondness for things past.
It was usually around this time of year that we’d be in Hamilton, anyway: in bunk beds squeaky and old, in a drafty, cold second floor, the window glass wavy and overlooking the river, which glittered at night with bone-shattering cold and distant lights from the Iowa side. It took a long time for warmth to permeate the bedspread layers, but once we were cocooned, we were good until morning.
This year, I am in a house that was probably built within the last five years, with sunshine spilling in from outside, the fan circulating air so it doesn’t feel too warm in this Texas climate. I am older, more tired, still the same kid, but a little better about fighting for a serving of respect and credit for how I choose to live my life. My brother is also the same as he was - still loud, still very presentational, still loyal and hard-working to a fault. Only his voice has changed, really. From squeaky and piercing to deeper and booming.
Back in the day, when things were so crazy and up-ended, what with our parents’ divorce and all the moving and all the money problems and trying to get our lives started, we were dangling from the ends of our cables, limbs flailing, sometimes playing dead so that we wouldn’t swing so wildly in empty space. Now, it feels like we’re both standing, and at times are tugging at the ropes to pull our past lives in closer so that we can contrast, compare, meld.